Wall of Sound, a short story from The Netherlands.

Wall of Sound, a short story from The Netherlands.

In June 2010 S and I arrived in The Netherlands with the notion of finally ‘settling down’. Yes, it was time to get ‘proper’ jobs. To buy an apartment, maybe have kids and all that malarkey. What could possibly go wrong?

——

It was a Saturday morning mid June 2013 when I woke up and instinctively realized it was game over. S was curled up on the far side of the bed, about as far away from me as it was possible to get without falling out. She’d gotten home late the night before, so late that I hadn’t even heard her come in.

Gingerly lifting myself out of bed, I felt my heart beating a million miles a minute. This was it wasn’t it? I shuffled off to the toilet for a pee before making my way to the kitchen. There, I stood silently for a moment before flicking the switch on the kettle.

It was the steam of the boiling water on my face that eventually shook me from my coma, forcing me to the fridge. Grabbing the milk, I set the carton down on the counter, popped a teabag into my cup and began pouring. Adding the milk, I clutched my brew in both hands and turned to find S framed in the doorway.

Wall of Sound, a short story from The Netherlands.

Her shoulders were slumped a little and she had what on any other day I’d have considered an amusing case of bed hair. But there was nothing even remotely funny about this situation. In fact, all it took was a momentary glance to know that her heart had sunk to the floor. 

“Leighton” she croaked, motioning to the sofa. I followed her wordlessly, understanding only too well that everything we’d built up together over the last eight years had eroded into a sorry state of disrepair. We’d known this for a while of course, but now it was about to become official.

We sat looking at each other for a few seconds before she finally spoke. “I think we should separate” she said quietly, her voice wavering, eyes puffy and red. “Right?” she implored. “Right” I confirmed miserably and then the floodgates opened.

The End of the Road.

My job almost certainly saved my life that summer. I seemed to exist in a state of detached numbness as I went about the daily routine. I cycled to work, wrote each day’s movie news and headed up to the recording studio to do my thing. 

In the afternoons I watched interviews and worked on the latest Star File. At lunchtimes I’d sit at my desk alone where I ate a sandwich, drank some coffee and stared into space without a single thought.

Thankfully, the various interviews I did across Amsterdam helped me to temporarily snap out of my malaise. What’s more, a new project presented itself which I gratefully grabbed onto with both hands.

Old Harbour wanted to commission a music show, a program that would mark new territory for the company. After plenty of brainstorming, head scratching and a hundred and one drafts, they finally seemed happy with a concept I drew up called Wall of Sound.

It was a standard template, a magazine show featuring music news, album reviews, interviews with rock stars and a rundown of each week’s various charts.

Wall of Sound, a short story from The Netherlands.

But for Old Harbour making a music show was going to be way more difficult than producing movie content. When it came to Hollywood, Remy had full access to the stars. In contrast, we had no track record (or contacts) in the music industry and had to start from scratch.

I was told to simply attack record companies and agencies with emails and calls. Meanwhile, in the background, the bosses worked on trying to establish more long term relationships with record labels.

This approach of badgering people turned out to be surprisingly effective. Within a month I’d managed to arrange sit-downs with the British rock bands Kaiser Chiefs and I Am Kloot in addition to the singer-songwriter Kate Nash.

Kate Nash.

Consequently, we were able to start sneaking bits of music news into our daily videos. Sure, these guys weren’t the A-list names Old Harbour craved. But it was certainly a start and got me out of the office for a bit. 

I had almost an hour with Kate Nash. We met at Bitterzoet, a cosy concert hall with wooden balconies, stained glass windows and black curtains. “Hi Leighton!!!” she chirped enthusiastically, the two of us shaking hands, her voice echoing across the ceiling. “It’s so nice to meet you!”

Kate was quite the sight in her lime-green princess dress and plastic tiara. We talked about her “unremarkable” pre-fame years scraping a living with retail jobs at River Island and Nando’s.

And of course we went over her subsequent explosion into the charts with her number one debut album Made of Bricks. Kate had plenty to say about the music business and not all of it was kind.

“When you’re young and you’ve had success with a certain sound, especially if that sound happens to be commercial pop, people don’t want you to try anything different”.

Kate was referring to the dramatic change of sound on her upcoming third album Girl Talk, which channeled a far more aggressive vibe than her previous works. Moreover, Kate explained how her new songs had been heavily influenced by riot grrrl bands like Bikini Kill and Sleater-Kinney.

Girl Talk clearly wasn’t going to sell as well as her past albums, but Nash didn’t seem to care. Funny, sweet and with a mischievous sense of humour, we dashed through a number of disparate subjects including sexuality, British home cooking and her love of the English poet John Cooper Clarke.

Finally, Kate had to go and get ready for her gig. Sticking around, I completely lost myself in her performance that night as she switched between new tracks like Deathproof and Fri-End? and old hits such as Mouthwash and Foundations.

I even hung around after the show to do some unnecessary fan interviews. I was just desperate not to think about what kind of atmosphere awaited me back home.

Wall of Sound, a short story from The Netherlands.

My interview with Kaiser Chiefs Ricky Wilson and Simon Rix took place at Amsterdam’s famous Melkweg venue, just off the city’s landmark Leidseplein Square. When I arrived security sent me directly into the main hall where the band was smashing their way through a raucuous sound check of Na Na Na Na Naa.

It was a magical moment standing there watching them do their thing in the empty hall. I’d been a big Kaiser Chiefs fan from the beginning, while their anti-romance anthem Everyday I Love You Less and Less was a karaoke favourite of mine. 

Ricky and Simon were in a great mood that day. Slouching nonchalantly on the provided chairs, they breezed through our forty five minute meeting with a steady flow of sardonic in-jokes, cackling laughter and sarcastic observations on the transient nature of the celebrity world.

We spent a fair bit of time discussing their most recent album The Future Is Medieval. The record had been released under unique circumstances, with fans initially ordering exclusively through the band’s website.

Presented with twenty three streamable tracks, fans were able to construct a ten-song track listing of their choosing from a huge batch of songs. It was also possible to play around with different bits of artwork, which could be edited to each fan’s personal preference.

Kaiser Chiefs.

“It was an award-winning album that!” quipped Ricky, tongue firmly in cheek. “Yeah…” added Simon, eyes to the ceiling. “It’s just that none of those awards were related to music!”

We also touched on the band’s co-founder, songwriter and drummer extraordinaire Nick Hodgson, who’d recently left the band to set himself up as a songwriter and producer for hire. “You know we love Nick!” insisted Ricky, his trademark grin disappearing for maybe the first time that afternoon. “He was a big loss and he knows he’ll always be welcome back”. 

“How’s he doing?” I asked, an awkward silence descending. “Um… he’s good,” offered Simon. “I think he’s finding the whole freelance thing more difficult than he’d expected”. Following the interview, Simon and Ricky graciously signed my Kaiser Chiefs records and cheerfully posed for photographs. “These are going straight on eBay aren’t they?” smirked Ricky.

I can’t believe that Old Harbour actually let me interview I Am Kloot singer John Bramwell. “I Am Who?” asked Ap, the production floor manager. “Kloot!” I confirmed emphatically, doing my best to sell the situation. “English rock band, cult following in The Netherlands and Germany. Their last album was nominated for the Mercury Music Award!” 

Wall of Sound, a short story from The Netherlands.

Everything I’d told him had been the gospel truth. But of course I knew that our clients would have zero interest in this under-the-radar indie band. “Sure, go” said Ap, who just seemed happy that we were starting to gain momentum.

The interview took place on a midweek evening at Lloyd Hotel in Amsterdam’s Eastern Docklands. Dating back to the 1920s, the brown-brick structure makes for a formidable sight as one approaches from the main drive. A building that seemed more like a Dickensian boarding school than a hotel. Only later did I learn that it had once been a juvenile detention centre. And before that, an actual prison!

Fittingly, it felt more than a touch creepy as the lady behind reception led me through the hotel to meet John. First we moved through a plush lounge with gabled ceilings and a grand piano. Then down a series of sinister-looking corridors. The atmosphere was very One Flew over The Cuckoo’s Nest and I couldn’t help but wonder if she was taking  me to some mysterious room where a lethal injection awaited.

The Lloyd Hotel, Amsterdam.

Much to my relief, she deposited me in a wood panelled drawing room where John sat in deep discussion with a journalist from a Dutch newspaper. John had a pint of lager set before him and appeared quite animated, eyes wide, arms aloft.

“Mishter Bramwell hash a few print interviewsh to do, he’ll be along shoon,” said the lady. “You can shet up your camerash over here!”  So we got our gear in order, made sure the setting was just right and waited. And waited. And waited. 

What we hadn’t realised was that John had a whole host of journalists lined up. And that we were his last appointment of the evening. All the while the beers kept coming. By the time he finally got to us John was a little drunk. And he knew it. “Shorry mate!” he said, out-Dutching the Dutch woman. 

My chat with John Bramwell was a dream come true. After all, I Am Kloot had long been one of my favourite bands and I particularly loved their 2001 debut album Natural History. “I sound like a bloody choir boy on that record!” he muttered, stroking his beard.

Wall of Sound, a short story from The Netherlands.

Humble, self-deprecating and more than a little nostalgic, John claimed his group was “the unluckiest band in the world”.

True enough, I Am Kloot had to overcome endless difficulties over the years. They’d had a record label that went bankrupt and another that didn’t even bother to promote one of their albums. As a result, John had a stark warning for me:

“I don’t know much about your production company mate, but be careful. You cannot underestimate the Kloot curse!”

With so much bad luck and so many false starts, I suggested their recent Mercury Music Award nomination for their 5th studio album Sky At Night must have felt fantastic.

“It was…. nice” he ventured, after a long pause. “We had no delusions that we’d actually win the thing. But just being recognised was… humbling really. It was weird that night, being at the show. I was looking around at Paul Weller, Noel Gallagher, that Dizzee rapper bloke. And I said to Pete: eh mate I’m not sure we belong here!”

At the end of the interview John shook my hand, gave me a big hug and posed for a few photos. At the same time, considerably drunker than when we’d begun, he quite suddenly launched into an entertaining anecdote abut Primal Scream frontman Bobby Gillespie. 

“An absolute c***!” snarled John at the end of the story. And then he burst out into laughter. Looking back, that intimate evening chat with John Bramwell remains one of my most treasured memories during my time at Old Harbour.

Wall of Sound, a short story from The Netherlands.

It was a sunny July afternoon and I was walking through Gerbrandy Park with my parents. It was their first time in Amsterdam, a trip they’d booked months before my life had fallen to pieces. They had no clue what was going on, but must have sensed something was wrong as we strolled through the park together.

I’d done my best not to make it obvious. I wanted to choose the right moment to tell them, to show that I was holding everything together. What’s more, I didn’t want to fuck up their holiday.

“Leighton, are you happy?” asked mum suddenly. Oh Jesus, I hadn’t seen that coming. I smiled, caught her eyes for a second and then completely lost my shit right in front of them.

“No, I’m not” I mumbled, unable to offer more as the tears streamed down my face. I remember my mum hugging me and my dad standing next to her, his own eyes rapidly reddening. 

“Leighton, I have some positive news about Wall of Sound!” exclaimed Ap excitedly. “There’s an interested client and Aston has feedback he wants to share about what direction we need to steer this in. Clear your morning schedule”.

Mm, there goes my chilled day, I thought. Ah, well. Somehow I instinctively knew that there would be a thousand revisions. A whole bunch of re-records with Aston micromanaging things every step of the way. I also instinctively understood that in the end the show was not going to turn out anything like I’d originally envisioned. 

Wall of Sound, a short story from The Netherlands.

I should probably have jumped up and headed off to Aston’s office immediately. But instead I put my headphones back on and allowed myself the luxury of finishing the song I’d started listening to. 

 “Through my sleepless days I’ve found… that in my dreamless sleep I’m bound… to one night hear the sound… of you calling” sang John with a heartbreaking earnestness.

“Do not stumble through tonight, have no fear of falling!”

‘Wall of Sound’ is the fifth chapter from my short story collection Notes From The Netherlands.

I’ve been living, working and traveling all over the world since 2001. So why not check out my huge library of travel reports from over 40 countries.

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